{"id":468,"date":"2020-11-20T23:24:06","date_gmt":"2020-11-21T02:24:06","guid":{"rendered":"https:\/\/filmotrope.com\/pt\/?p=468"},"modified":"2023-01-18T23:41:33","modified_gmt":"2023-01-19T02:41:33","slug":"ana-sem-titulo","status":"publish","type":"post","link":"https:\/\/filmotrope.com\/pt\/ana-sem-titulo","title":{"rendered":"Mais futuro que passado: Ana. Sem T\u00edtulo<\/i>"},"content":{"rendered":"

Em mais uma bela reavalia\u00e7\u00e3o hist\u00f3rica, L\u00facia Murat contrasta um passado opressivo com um presente que tem muito ainda o que aprender<\/h3>\n

\"Ana.<\/h4>\n

Ana. Sem T\u00edtulo (2020) <\/span><\/span><\/span><\/span><\/span><\/span><\/h4>\n

Diri\u00adgi\u00addo por L\u00facia Murat. Escri\u00adto e diri\u00adgi\u00addo por Tati\u00ada\u00adna Salem Levy e L\u00facia Murat. Com Stel\u00adla Rabel\u00adlo, Feli\u00adpe Rocha, Rena\u00adto Linha\u00adres, Lucas Cana\u00advar\u00adro, Rober\u00adta Estre\u00adla D\u2019Al\u00adva, Wal\u00addo Fran\u00adco, Mir\u00adta Bus\u00adnel\u00adli, Mar\u00eda Fio\u00adren\u00adti\u00adno, Mau\u00adri\u00adcio Gar\u00adc\u00eda Loza\u00adno e Con\u00adcep\u00adci\u00f3n M\u00e1rquez.<\/strong><\/p>\n

A cine\u00adas\u00adta cari\u00ado\u00adca L\u00facia Murat<\/a> n\u00e3o \u00e9 nenhu\u00adma lei\u00adga no que diz res\u00adpei\u00adto a encar\u00adce\u00adra\u00admen\u00adto e tor\u00adtu\u00adra duran\u00adte a dita\u00addu\u00adra mili\u00adtar no Bra\u00adsil. Ali\u00e1s, foram as suas pr\u00f3\u00adpri\u00adas expe\u00adri\u00ad\u00ean\u00adci\u00adas de tr\u00eas anos e meio atr\u00e1s de gra\u00addes<\/a> que a impul\u00adsi\u00ado\u00adna\u00adram a rea\u00adli\u00adzar a impac\u00adtan\u00adte obra de docu\u00adfic\u00ad\u00e7\u00e3o Que Bom Te Ver Viva<\/em> em 1989, que espe\u00adci\u00adal\u00admen\u00adte denun\u00adci\u00ada\u00adva as atro\u00adci\u00adda\u00addes come\u00adti\u00addas con\u00adtra mulhe\u00adres naque\u00adle infa\u00adme per\u00edo\u00addo da his\u00adt\u00f3\u00adria do pa\u00eds. Pois des\u00adta vez a vete\u00adra\u00adna dire\u00adto\u00adra nos traz a este novo h\u00edbri\u00addo docu\u00admen\u00adt\u00e1\u00adrio-fic\u00ad\u00e7\u00e3o Ana. Sem T\u00edtu\u00adlo<\/em>, que lan\u00ad\u00e7a mais um olhar sobre as les\u00f5es psi\u00adco\u00adl\u00f3\u00adgi\u00adcas e emo\u00adci\u00ado\u00adnais dei\u00adxa\u00addas em mulhe\u00adres que ousa\u00adram lutar con\u00adtra regi\u00admes opres\u00adso\u00adres e criminosos.<\/p>\n

Livre\u00admen\u00adte ins\u00adpi\u00adra\u00addo na pe\u00e7a \u201cH\u00e1 Mais Futu\u00adro Que Pas\u00adsa\u00addo\u201d, de Dani\u00ade\u00adla Avi\u00adla Small, o rotei\u00adro de Murat e Tati\u00ada\u00adna Salem Levy uti\u00adli\u00adza a expo\u00adsi\u00ad\u00e7\u00e3o \u201cMulhe\u00adres radi\u00adcais: arte lati\u00adno-ame\u00adri\u00adca\u00adna, 1960\u20131985<\/a>\u2033, apre\u00adsen\u00adta\u00adda em 2018 na Pina\u00adco\u00adte\u00adca de S\u00e3o Pau\u00adlo, como pon\u00adto de par\u00adti\u00adda para uma dis\u00adcus\u00ads\u00e3o sobre a luta e a arte de mulhe\u00adres lati\u00adno-ame\u00adri\u00adca\u00adnas que fize\u00adram o que podi\u00adam para con\u00adti\u00adnu\u00adar a cri\u00adar mes\u00admo sob ame\u00ada\u00ad\u00e7a da inten\u00adsa repres\u00ads\u00e3o inte\u00adlec\u00adtu\u00adal que ocor\u00adria em seus pa\u00ed\u00adses na \u00e9po\u00adca. Para tan\u00adto, a dire\u00adto\u00adra acom\u00adpa\u00adnha a atriz bra\u00adsi\u00adlei\u00adra Ste\u00adla, que est\u00e1 rea\u00adli\u00adzan\u00addo um tra\u00adba\u00adlho em cima das car\u00adtas que eram tro\u00adca\u00addas entre essas artis\u00adtas pl\u00e1s\u00adti\u00adcas nas d\u00e9ca\u00addas de 1970 e 1980.<\/p>\n

Ste\u00adla fica mais intri\u00adga\u00adda ao se depa\u00adrar com uma elu\u00adsi\u00adva per\u00adso\u00adna\u00adgem de nome Ana (sem sobre\u00adno\u00adme), que desa\u00adpa\u00adre\u00adceu sem dei\u00adxar ras\u00adtros e \u00e9 cita\u00adda em diver\u00adsas das car\u00adtas como uma mulher valen\u00adte, talen\u00adto\u00adsa e extra\u00ador\u00addi\u00adn\u00e1\u00adria. \u00c9 ent\u00e3o que a atriz deci\u00adde par\u00adtir em uma jor\u00adna\u00adda atr\u00e1s do seu para\u00addei\u00adro, para des\u00adco\u00adbrir quem ela foi, por que aban\u00addo\u00adnou a arte, onde se encon\u00adtra, e se ain\u00adda est\u00e1 viva. Atra\u00adv\u00e9s da bus\u00adca de Ste\u00adla, a cine\u00adas\u00adta, que vez ou outra sur\u00adge dian\u00adte da c\u00e2me\u00adra pon\u00adtu\u00adan\u00addo as suas pr\u00f3\u00adpri\u00adas moti\u00adva\u00ad\u00e7\u00f5es, afir\u00adma estar em bus\u00adca de sua gera\u00ad\u00e7\u00e3o tam\u00adb\u00e9m. Duas bus\u00adcas se cru\u00adzam e se com\u00adple\u00admen\u00adtam \u2014 uma real e uma fic\u00adt\u00ed\u00adcia \u2014 levan\u00addo as duas artis\u00adtas a uma via\u00adgem pelo passado.<\/p>\n

No cen\u00adtro de Ana. Sem T\u00edtu\u00adlo<\/em> est\u00e1 o que a per\u00adso\u00adna\u00adgem-t\u00edtu\u00adlo repre\u00adsen\u00adta como v\u00edti\u00adma de dita\u00addu\u00adra. Pre\u00adta e cri\u00ada\u00adda no sul do Bra\u00adsil, Ana \u00e9 des\u00adcri\u00adta como uma artis\u00adta mul\u00adti\u00adfa\u00adce\u00adta\u00adda e que tran\u00adsi\u00adta\u00adva pelas artes pl\u00e1s\u00adti\u00adcas, dese\u00adnho, pin\u00adtu\u00adra e at\u00e9 per\u00adfor\u00adman\u00adce<\/em>. Seu \u201ccri\u00adme\u201d n\u00e3o era ser par\u00adti\u00add\u00e1\u00adria ou comu\u00adnis\u00adta, mas que\u00adrer trans\u00adgre\u00addir regras e ser livre. Atra\u00adv\u00e9s da figu\u00adra de Ana (que, assi\u00adnan\u00addo s\u00f3 \u201cAna\u201d, se tor\u00adna qua\u00adse um \u00edco\u00adne), o fil\u00adme explo\u00adra o pre\u00adcon\u00adcei\u00adto (raci\u00adal e sexu\u00adal) pou\u00adco lem\u00adbra\u00addo dos regi\u00admes fas\u00adcis\u00adtas lati\u00adno-ame\u00adri\u00adca\u00adnos, encon\u00adtran\u00addo um para\u00adle\u00adlo atu\u00adal em Andres\u00adsa, \u00fani\u00adca da equi\u00adpe para\u00adda no aero\u00adpor\u00adto e ques\u00adti\u00ado\u00adna\u00adda por cin\u00adco homens duran\u00adte horas ape\u00adnas pelo fato de ser negra.<\/p>\n

Mas o fil\u00adme n\u00e3o para por a\u00ed, e \u00e9 na jor\u00adna\u00adda de Ste\u00adla por Cuba, M\u00e9xi\u00adco, Argen\u00adti\u00adna e Chi\u00adle e de vol\u00adta ao Bra\u00adsil em bus\u00adca do fan\u00adtas\u00adma de Ana que a dire\u00adto\u00adra tam\u00adb\u00e9m dis\u00adcu\u00adte o lega\u00addo de artis\u00adtas como Anto\u00adnia Eiriz, Mar\u00eda Lui\u00adsa Bem\u00adberg e Kati Hor\u00adna, al\u00e9m de outras que tive\u00adram seus tra\u00adba\u00adlhos expos\u00adtos na mos\u00adtra. E como se n\u00e3o bas\u00adtas\u00adse, o fil\u00adme tam\u00adpou\u00adco se det\u00e9m no poder da cri\u00ada\u00adti\u00advi\u00adda\u00adde como fer\u00adra\u00admen\u00adta de mudan\u00ad\u00e7a soci\u00adal e ain\u00adda faz um apa\u00adnha\u00addo de even\u00adtos devas\u00adta\u00addo\u00adres que mar\u00adca\u00adram a his\u00adt\u00f3\u00adria, como o mas\u00adsa\u00adcre de Tla\u00adte\u00adlol\u00adco, no M\u00e9xi\u00adco, em 1968, que levou \u00e0 mor\u00adte de 300 pes\u00adso\u00adas, e o bom\u00adbar\u00adde\u00ada\u00admen\u00adto do Pal\u00e1\u00adcio de la Mone\u00adda, no Chi\u00adle, que matou o pre\u00adsi\u00adden\u00adte Sal\u00adva\u00addor Allen\u00adde em 1973.<\/p>\n

\u00c9 nes\u00adse encon\u00adtro de res\u00adga\u00adte gera\u00adci\u00ado\u00adnal e regis\u00adtro his\u00adt\u00f3\u00adri\u00adco que o fil\u00adme reve\u00adla a sua for\u00ad\u00e7a, sur\u00adgin\u00addo tal qual um docu\u00admen\u00adt\u00e1\u00adrio genu\u00ed\u00adno ao com\u00adbi\u00adnar de manei\u00adra qua\u00adse indi\u00adfe\u00adren\u00adci\u00e1\u00advel ima\u00adgens de arqui\u00advo reais com fic\u00adt\u00ed\u00adci\u00adas, de cores, tex\u00adtu\u00adras e fon\u00adtes diver\u00adsas, inclu\u00adsi\u00adve per\u00adfor\u00adman\u00adces<\/em> de arte arre\u00adba\u00adta\u00addo\u00adras de Ana. Nes\u00adse aspec\u00adto, vale res\u00adsal\u00adtar como a dire\u00ad\u00e7\u00e3o de Murat demons\u00adtra tam\u00adb\u00e9m um inte\u00adli\u00adgen\u00adte con\u00adca\u00adte\u00adna\u00admen\u00adto de idei\u00adas ao alter\u00adnar entre duas entre\u00advis\u00adtas que se com\u00adple\u00admen\u00adtam em um deter\u00admi\u00adna\u00addo momento.<\/p>\n

Assim, al\u00e9m de cul\u00admi\u00adnar em uma cena final pode\u00adro\u00adsa, Ana. Sem T\u00edtu\u00adlo<\/em> ain\u00adda pro\u00adva que a fic\u00ad\u00e7\u00e3o pode ser mais ver\u00adda\u00addei\u00adra que os fatos por con\u00adse\u00adguir explo\u00adrar tan\u00adtas face\u00adtas de uma rea\u00adli\u00adda\u00adde e ain\u00adda per\u00admi\u00adtir, ao fim, que o p\u00fabli\u00adco tire suas pr\u00f3\u00adpri\u00adas conclus\u00f5es.<\/p>\n","protected":false},"excerpt":{"rendered":"

Em mais uma bela rea\u00adva\u00adli\u00ada\u00ad\u00e7\u00e3o his\u00adt\u00f3\u00adri\u00adca, L\u00facia Murat con\u00adtras\u00adta um pas\u00adsa\u00addo opres\u00adsi\u00advo com um pre\u00adsen\u00adte que tem mui\u00adto ain\u00adda o que aprender.<\/p>\n","protected":false},"author":1,"featured_media":517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[22,32,19,31,33],"class_list":["post-468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-drama","tag-22","tag-docuficcao","tag-drama","tag-lucia-murat","tag-stella-rabello"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/comments?post=468"}],"version-history":[{"count":0,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts\/468\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/media\/517"}],"wp:attachment":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/media?parent=468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/categories?post=468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/tags?post=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}