{"id":372,"date":"2020-09-25T18:05:48","date_gmt":"2020-09-25T21:05:48","guid":{"rendered":"https:\/\/filmotrope.com\/pt\/?p=372"},"modified":"2023-01-18T23:50:28","modified_gmt":"2023-01-19T02:50:28","slug":"48o-festival-de-cinema-de-gramado-dia-7","status":"publish","type":"post","link":"https:\/\/filmotrope.com\/pt\/48o-festival-de-cinema-de-gramado-dia-7","title":{"rendered":"48o Festival de Cinema de Gramado \u2013 Dia 7"},"content":{"rendered":"

S\u00e9timo dia de cobertura do 48o Festival de Cinema de Gramado com cr\u00edticas dos curtas Trincheira<\/em> e O Barco e o Rio<\/em> e do longa King Kong en Asunci\u00f3n<\/em><\/h3>\n

Na \u00falti\u00adma noi\u00adte de fil\u00admes da mos\u00adtra com\u00adpe\u00adti\u00adti\u00adva do Fes\u00adti\u00adval de Gra\u00adma\u00addo<\/a> trans\u00admi\u00adti\u00addos na TV<\/span> pelo Canal Bra\u00adsil nes\u00adta quin\u00adta-fei\u00adra, foram exi\u00adbi\u00addos ape\u00adnas dois cur\u00adta-metra\u00adgens e um lon\u00adga-metra\u00adgem bra\u00adsi\u00adlei\u00adro. Infe\u00adliz\u00admen\u00adte, o lon\u00adga boli\u00advi\u00ada\u00adno-ame\u00adri\u00adca\u00adno Tu Me Man\u00adques<\/em>, de Rodri\u00adgo Bel\u00adlott, dei\u00adxou de fazer par\u00adte da mos\u00adtra de fil\u00admes estrangeiros.<\/p>\n

A entre\u00adga das home\u00adna\u00adgens espe\u00adci\u00adais se d\u00e1 ama\u00adnh\u00e3, sex\u00adta-fei\u00adra dia 26, a par\u00adtir das 20h, e a cerim\u00f4\u00adnia de entre\u00adga dos Kiki\u00adtos ocor\u00adre no s\u00e1ba\u00addo dia 27, \u00e0s 21h, trans\u00admi\u00adti\u00adda ao vivo pelo Canal Bra\u00adsil e pelos canais digi\u00adtais do fes\u00adti\u00adval. Ago\u00adra, vamos aos filmes:<\/p>\n

Trincheira <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"48o
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

O cur\u00adta ala\u00adgo\u00ada\u00adno Trin\u00adchei\u00adra<\/em>, de Pau\u00adlo Sil\u00adver, nos apre\u00adsen\u00adta a um meni\u00adno que pas\u00adsa o dia em um ater\u00adro de lixo e dei\u00adxa a sua ima\u00adgi\u00adna\u00ad\u00e7\u00e3o cor\u00adrer sol\u00adta com o que encon\u00adtra no meio da tra\u00adlha des\u00adcar\u00adta\u00adda, usan\u00addo um car\u00adri\u00adnho de super\u00admer\u00adca\u00addo para reco\u00adlher o que pode ser \u00fatil para as suas brin\u00adca\u00addei\u00adras, como jor\u00adnais, apa\u00adre\u00adlhos de TV<\/span> que\u00adbra\u00addos, etc.<\/p>\n

Atra\u00adv\u00e9s de uma mon\u00adta\u00adgem cui\u00adda\u00addo\u00adsa e uma dire\u00ad\u00e7\u00e3o de arte exem\u00adplar que cria um visu\u00adal de fim de mun\u00addo qua\u00adse apo\u00adca\u00adl\u00edp\u00adti\u00adco con\u00adtra um pr\u00e9\u00addio de luxo ao fun\u00addo, n\u00f3s o acom\u00adpa\u00adnha\u00admos enquan\u00adto brin\u00adca soli\u00adt\u00e1\u00adrio por entre pilhas de tijo\u00adlos joga\u00addos, mane\u00adquins aban\u00addo\u00adna\u00addos e suca\u00adta de car\u00adros. Al\u00e9m dis\u00adso, o som com\u00adple\u00admen\u00adta o que vemos com ru\u00ed\u00addos est\u00e1\u00adti\u00adcos e m\u00fasi\u00adca ele\u00adtr\u00f4\u00adni\u00adca de video game<\/em>, aju\u00addan\u00addo a nos inse\u00adrir em sua imagina\u00e7\u00e3o.<\/p>\n

Sem divi\u00addir a cena com mais nin\u00adgu\u00e9m, o ator-mirim Gabri\u00adel Nunes Xavi\u00ader nos cati\u00adva com as brin\u00adca\u00addei\u00adras do garo\u00adto, que v\u00e3o des\u00adde fin\u00adgir ser um com\u00adpra\u00addor (no car\u00adt\u00e3o de cr\u00e9\u00addi\u00adto) at\u00e9 ser um via\u00adjan\u00adte inter\u00adga\u00adl\u00e1\u00adti\u00adco. E \u00e9 ent\u00e3o que o cur\u00adta toma um cami\u00adnho Spi\u00adel\u00adber\u00adgi\u00ada\u00adno no melhor esti\u00adlo de His\u00adt\u00f3\u00adri\u00adas Mara\u00advi\u00adlho\u00adsas<\/em> e com direi\u00adto a gr\u00e1\u00adfi\u00adcos retr\u00f4 diver\u00adti\u00addos. Nada de impres\u00adsi\u00ado\u00adnan\u00adte, mas \u00e9 sim\u00adp\u00e1\u00adti\u00adco e bem feito.<\/p>\n

O Barco e o Rio <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"O
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

J\u00e1 o cur\u00adta ama\u00adzo\u00adnen\u00adse O Bar\u00adco e o Rio<\/em>, de Ber\u00adnar\u00addo Ale Abi\u00adna\u00adder, nos mos\u00adtra logo de cara o que quer dizer atra\u00adv\u00e9s de um di\u00e1\u00adlo\u00adgo entre duas irm\u00e3s, Vera e Josi, no bar\u00adco que divi\u00addem em um por\u00adto de Manaus. Vera \u00e9 reli\u00adgi\u00ado\u00adsa e apa\u00adren\u00adte\u00admen\u00adte repri\u00admi\u00adda, e Josi \u00e9 fes\u00adtei\u00adra e quer ven\u00adder o bar\u00adco. A par\u00adtir da\u00ed, o fil\u00adme se entre\u00adga ao sil\u00ean\u00adcio e momen\u00adtos de refle\u00adx\u00e3o em que as duas pare\u00adcem envol\u00adtas em pensamentos.<\/p>\n

H\u00e1 ele\u00admen\u00adtos aqui e ali que bus\u00adcam ofe\u00adre\u00adcer mais infor\u00adma\u00ad\u00e7\u00e3o sobre essas mulhe\u00adres e o rela\u00adci\u00ado\u00adna\u00admen\u00adto delas (como uma foto com um bilhe\u00adte escri\u00adto no ver\u00adso), mas o dire\u00adtor pare\u00adce con\u00adfun\u00addir sil\u00ean\u00adcio e rit\u00admo len\u00adto com pro\u00adfun\u00addi\u00adda\u00adde, e o resul\u00adta\u00addo soa lon\u00adgo e n\u00e3o diz a que veio. No fim das con\u00adtas, \u00e9 mais um cur\u00adta des\u00adte fes\u00adti\u00adval que d\u00e1 a impres\u00ads\u00e3o de que o autor teve uma ideia mas n\u00e3o sou\u00adbe o que fazer com ela.<\/p>\n

King Kong en Asunci\u00f3n <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"King
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

Final\u00admen\u00adte, quan\u00addo o lon\u00adga King Kong en Asun\u00adci\u00f3n<\/em> tem in\u00ed\u00adcio, tes\u00adte\u00admu\u00adnha\u00admos um sujei\u00adto ido\u00adso de cabe\u00adlos e bar\u00adbas bran\u00adcas exe\u00adcu\u00adtar um homem com um tiro na cabe\u00ad\u00e7a no meio do Salar de Uyu\u00adni, o mai\u00ador deser\u00adto de sal do mun\u00addo, loca\u00adli\u00adza\u00addo no sudo\u00ades\u00adte da Bol\u00ed\u00advia. Ao mes\u00admo tem\u00adpo que a bela foto\u00adgra\u00adfia explo\u00adra o bran\u00adco cegan\u00adte da pla\u00adn\u00ed\u00adcie atra\u00adv\u00e9s de uma len\u00adte gran\u00adde-angu\u00adlar e pla\u00adnos aber\u00adtos que res\u00adsal\u00adtam o iso\u00adla\u00admen\u00adto do que ocor\u00adre, o cri\u00adme sur\u00adge de for\u00adma seca e ousa\u00adda, acom\u00adpa\u00adnha\u00addo de uma nar\u00adra\u00ad\u00e7\u00e3o no idi\u00ado\u00adma gua\u00adra\u00adni que diz que \u201ca mem\u00f3\u00adria \u00e9 um per\u00adcur\u00adso<\/em>\u201d e que n\u00e3o se abs\u00adte\u00adr\u00e1 de opi\u00adnar sobre o que veremos.<\/p>\n

E se afir\u00admo que esta \u00e9 uma cena ousa\u00adda, \u00e9 por\u00adque nos apre\u00adsen\u00adta o que h\u00e1 de pior em seu pro\u00adta\u00adgo\u00adnis\u00adta j\u00e1 de ime\u00addi\u00ada\u00adto \u2014 algo que na ver\u00adda\u00adde pode\u00adria se reve\u00adlar um tiro no p\u00e9 e ser\u00advir para ali\u00ade\u00adnar o espec\u00adta\u00addor. No entan\u00adto, o fil\u00adme e a cena em ques\u00adt\u00e3o (e a dis\u00adt\u00e2n\u00adcia com a qual ela \u00e9 enqua\u00addra\u00adda) se bene\u00adfi\u00adcia jus\u00adta\u00admen\u00adte do fato de n\u00e3o ter\u00admos conhe\u00adci\u00admen\u00adto pr\u00e9\u00advio algum do exe\u00adcu\u00adta\u00addo, per\u00admi\u00adtin\u00addo que este seja vis\u00adto ape\u00adnas como uma v\u00edti\u00adma qual\u00adquer de um mata\u00addor pro\u00adfis\u00adsi\u00ado\u00adnal que j\u00e1 deve ter mata\u00addo mui\u00adtos ao lon\u00adgo da vida e tam\u00adb\u00e9m n\u00e3o deve ter conhe\u00adci\u00admen\u00adto \u00ednti\u00admo de quem a pes\u00adsoa seja.<\/p>\n

Como logo per\u00adce\u00adbe\u00admos, a pro\u00adpos\u00adta do dire\u00adtor Cami\u00adlo Caval\u00adcan\u00adte (do lin\u00addo A His\u00adt\u00f3\u00adria da Eter\u00adni\u00adda\u00adde<\/em>) \u00e9 explo\u00adrar o peso da mem\u00f3\u00adria, da cul\u00adpa e da efe\u00adme\u00adri\u00adda\u00adde da vida a par\u00adtir de um pro\u00adta\u00adgo\u00adnis\u00adta ator\u00admen\u00adta\u00addo por seu pas\u00adsa\u00addo \u2014 um per\u00adso\u00adna\u00adgem que nos reme\u00adte aos anti-her\u00f3is do faro\u00ades\u00adte ao inclu\u00adsi\u00adve sur\u00adgir como uma mira\u00adgem des\u00adfo\u00adca\u00adda no deser\u00adto e ao n\u00e3o ter esse seu pas\u00adsa\u00addo reve\u00adla\u00addo em deta\u00adlhes. Ape\u00adnas sabe\u00admos que \u201creco\u00adlhe dis\u00adt\u00e2n\u00adci\u00adas<\/em>\u201d (como apon\u00adta a voz nar\u00adran\u00adte) de ser\u00advi\u00ad\u00e7o a ser\u00advi\u00ad\u00e7o e se afo\u00adgan\u00addo no \u00e1lco\u00adol para n\u00e3o ser per\u00adse\u00adgui\u00addo pelas lem\u00adbran\u00ad\u00e7as (e cobran\u00ad\u00e7as) de suas v\u00edtimas.<\/p>\n

Assim que rece\u00adbe uma bela recom\u00adpen\u00adsa, o velho par\u00adte para Asun\u00adci\u00f3n, no Para\u00adguai, com o dese\u00adjo de rever a \u00fani\u00adca mulher que amou (e que ago\u00adra se encon\u00adtra \u00e0 bei\u00adra da mor\u00adte) e conhe\u00adcer a filha que nun\u00adca viu. A par\u00adtir da\u00ed, pas\u00adsa\u00admos a acom\u00adpa\u00adnh\u00e1-lo em uma jor\u00adna\u00adda soli\u00adt\u00e1\u00adria e silen\u00adci\u00ado\u00adsa por pai\u00adsa\u00adgens t\u00e3o deso\u00adla\u00addas quan\u00adto o seu esp\u00ed\u00adri\u00adto. O rit\u00admo ado\u00adta\u00addo aqui \u00e9 pau\u00adsa\u00addo, tal\u00advez bus\u00adcan\u00addo refle\u00adtir aque\u00adles momen\u00adtos em que lem\u00adbran\u00ad\u00e7as pare\u00adcem que\u00adrer vir \u00e0 tona quan\u00addo menos se espera.<\/p>\n

No entan\u00adto, ape\u00adsar de uma atu\u00ada\u00ad\u00e7\u00e3o dolo\u00adro\u00adsa de Andra\u00adde J\u00fani\u00ador, que nos como\u00adve com a inse\u00adgu\u00adran\u00ad\u00e7a e o olhar devas\u00adta\u00addo\u00adra\u00admen\u00adte tris\u00adte do per\u00adso\u00adna\u00adgem dian\u00adte da pos\u00adsi\u00adbi\u00adli\u00adda\u00adde de encon\u00adtrar sua filha (prin\u00adci\u00adpal\u00admen\u00adte numa cena em que ensaia em fren\u00adte ao espe\u00adlho o que vai dizer a ela), essa melan\u00adco\u00adlia soa um tan\u00adto ras\u00adtei\u00adra. A mon\u00adta\u00adgem abu\u00adsa de fus\u00f5es, as pai\u00adsa\u00adgens se tor\u00adnam can\u00adsa\u00adti\u00advas, e mes\u00admo as alu\u00ads\u00f5es a pol\u00ed\u00adti\u00adcos \u2014 vivos, mor\u00adtos ou assas\u00adsi\u00adna\u00addos pelo velho \u2014 sur\u00adgem como refle\u00adx\u00f5es tardias.<\/p>\n

Mui\u00adtos, ali\u00e1s, s\u00e3o os ele\u00admen\u00adtos nar\u00adra\u00adti\u00advos que pare\u00adcem n\u00e3o ser\u00advir de mui\u00adta coi\u00adsa, como os flash\u00adbacks<\/em> pon\u00adtu\u00adais que bus\u00adcam explo\u00adrar a ideia de uma vio\u00adl\u00ean\u00adcia c\u00edcli\u00adca mas que s\u00f3 se reve\u00adlam des\u00adne\u00adces\u00ads\u00e1\u00adri\u00ados e mal explo\u00adra\u00addos quan\u00addo para\u00admos para refle\u00adtir com mais cal\u00adma \u2014 assim como o pr\u00f3\u00adprio even\u00adto que d\u00e1 nome ao filme.<\/p>\n

Ter\u00admi\u00adnan\u00addo com uma fala que n\u00e3o faz sen\u00adti\u00addo algum depois de tudo que acom\u00adpa\u00adnha\u00admos, King Kong en Asun\u00adci\u00f3n<\/em> pro\u00adva ser uma decep\u00ad\u00e7\u00e3o \u2014 ain\u00adda que cen\u00adtra\u00addo em um pro\u00adta\u00adgo\u00adnis\u00adta com\u00adple\u00adxo que mere\u00adcia um fil\u00adme melhor.<\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00e9ti\u00admo dia de cober\u00adtu\u00adra do 48o Fes\u00adti\u00adval de Cine\u00adma de Gra\u00adma\u00addo com cr\u00ed\u00adti\u00adcas de dois cur\u00adtas e do lon\u00adga King Kong en Asun\u00adci\u00f3n<\/i>.<\/p>\n","protected":false},"author":1,"featured_media":383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[21],"tags":[22,23,24],"class_list":["post-372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cobertura","tag-22","tag-cobertura","tag-festival-de-gramado"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts\/372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/comments?post=372"}],"version-history":[{"count":0,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts\/372\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/media\/383"}],"wp:attachment":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/media?parent=372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/categories?post=372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/tags?post=372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}