{"id":308,"date":"2020-09-23T17:28:10","date_gmt":"2020-09-23T20:28:10","guid":{"rendered":"https:\/\/filmotrope.com\/pt\/?p=308"},"modified":"2023-01-18T23:47:28","modified_gmt":"2023-01-19T02:47:28","slug":"48o-festival-de-cinema-de-gramado-dia-5","status":"publish","type":"post","link":"https:\/\/filmotrope.com\/pt\/48o-festival-de-cinema-de-gramado-dia-5","title":{"rendered":"48o Festival de Cinema de Gramado \u2013 Dia 5"},"content":{"rendered":"

Quinto dia de cobertura do 48o Festival de Cinema de Gramado com cr\u00edticas dos curtas Dominique<\/em> e Jo\u00e3osinho da Gom\u00e9a \u2013 O Rei do Candombl\u00e9<\/em> e dos longas Aos Peda\u00e7os<\/em> e Matar a un Muerto<\/em><\/h3>\n

Dominique <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"48o
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

O quin\u00adto dia do Fes\u00adti\u00adval de Gra\u00adma\u00addo<\/a> nos apre\u00adsen\u00adta a Domi\u00adni\u00adque, uma mo\u00e7a trans\u00adg\u00ea\u00adne\u00adro que nos fala de sua vida em uma peque\u00adna ilha situ\u00ada\u00adda na foz do rio Ama\u00adzo\u00adnas, no Par\u00e1, enquan\u00adto a acom\u00adpa\u00adnha\u00admos rumo \u00e0 casa de sua m\u00e3e. Nes\u00adte cur\u00adta docu\u00admen\u00adtal, ouvi\u00admos sobre sua inf\u00e2n\u00adcia reli\u00adgi\u00ado\u00adsa, sobre como come\u00ad\u00e7ou a tomar horm\u00f4\u00adni\u00ados j\u00e1 aos 13 anos de ida\u00adde, sobre ter mora\u00addo com um tio gay con\u00adser\u00adva\u00addor e trans\u00adf\u00f3\u00adbi\u00adco, sobre ter ido parar na pros\u00adti\u00adtui\u00ad\u00e7\u00e3o, al\u00e9m da cur\u00adta expec\u00adta\u00adti\u00adva de vida das trans\u00adse\u00adxu\u00adais em geral.<\/p>\n

Atra\u00adv\u00e9s de um bre\u00adve mas tocan\u00adte rela\u00adto, somos leva\u00addos a conhe\u00adcer mais sobre pes\u00adso\u00adas que s\u00f3 encon\u00adtram espa\u00ad\u00e7o \u00e0 mar\u00adgem da soci\u00ade\u00adda\u00adde, uma vez que pou\u00adcos lhes d\u00e3o empre\u00adgo mes\u00admo com um diplo\u00adma uni\u00adver\u00adsi\u00adt\u00e1\u00adrio, fazen\u00addo da pros\u00adti\u00adtui\u00ad\u00e7\u00e3o uma alter\u00adna\u00adti\u00adva ine\u00advi\u00adt\u00e1\u00advel para elas. Tam\u00adb\u00e9m conhe\u00adce\u00admos a m\u00e3e de Domi\u00adni\u00adque, que tem outras duas filhas trans e fala de sua tole\u00adr\u00e2n\u00adcia e acei\u00adta\u00ad\u00e7\u00e3o ape\u00adsar de uma ori\u00adgem humil\u00adde \u2014 o que deve\u00adria ser\u00advir de exem\u00adplo para quem tem um m\u00edni\u00admo de estu\u00addos e n\u00e3o faz o mesmo.<\/p>\n

Inte\u00adres\u00adsan\u00adte ao men\u00adci\u00ado\u00adnar (mes\u00admo que por alto) o pre\u00adcon\u00adcei\u00adto que cer\u00adtas mulhe\u00adres trans t\u00eam de tra\u00adves\u00adtis menos femi\u00adni\u00adnas em sua apa\u00adr\u00ean\u00adcia (o que reve\u00adla mui\u00adto sobre como que a cul\u00adtu\u00adra de g\u00eane\u00adro bin\u00e1\u00adrio est\u00e1 entre\u00adnha\u00adda na men\u00adte cole\u00adti\u00adva), Domi\u00adni\u00adque<\/em> \u00e9 um fil\u00adme de boas inten\u00ad\u00e7\u00f5es, mas que aca\u00adba soan\u00addo um tan\u00adto super\u00adfi\u00adci\u00adal, o que \u00e9 uma pena, j\u00e1 que fica a von\u00adta\u00adde de ouvir mais o que a sua bra\u00adva pro\u00adta\u00adgo\u00adnis\u00adta tem a dizer.<\/p>\n

Jo\u00e3osinho da Gom\u00e9a \u2013 O Rei do Candombl\u00e9 <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"Jo\u00e3osinho
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

O j\u00e1 fale\u00adci\u00addo pai de san\u00adto can\u00addom\u00adble\u00adcis\u00adta Jo\u00e3o\u00adzi\u00adnho da Gom\u00e9ia era vis\u00adto como uma figu\u00adra pol\u00ea\u00admi\u00adca den\u00adtro do pr\u00f3\u00adprio can\u00addom\u00adbl\u00e9, onde os puris\u00adtas nag\u00f4s o acu\u00adsa\u00advam de blas\u00adf\u00ea\u00admia e de des\u00admo\u00adra\u00adli\u00adzar a reli\u00adgi\u00e3o com sua homos\u00adse\u00adxu\u00ada\u00adli\u00adda\u00adde escan\u00adca\u00adra\u00adda, seus ritos afron\u00adto\u00adsos e suas indu\u00admen\u00adt\u00e1\u00adri\u00adas e enfei\u00adtes qua\u00adse car\u00adna\u00adva\u00adles\u00adcos. Nes\u00adte cur\u00adta docu\u00admen\u00adtal cari\u00ado\u00adca Jo\u00e3o\u00adsi\u00adnho da Gom\u00e9a \u2013 O Rei do Can\u00addom\u00adbl\u00e9<\/em>, de Janai\u00adna Oli\u00advei\u00adra ReFem e Rodri\u00adgo Dutra, ouvi\u00admos a voz do pr\u00f3\u00adprio docu\u00admen\u00adta\u00addo em anti\u00adgas gra\u00adva\u00ad\u00e7\u00f5es de \u00e1udio enquan\u00adto vemos o ator \u00c1ti\u00adla Bezer\u00adra inter\u00adpre\u00adt\u00e1-lo em dan\u00ad\u00e7as e per\u00adfor\u00adman\u00adces<\/em> corporais.<\/p>\n

As ima\u00adgens de arqui\u00advo reu\u00adni\u00addas aqui inclu\u00adem des\u00adde not\u00ed\u00adci\u00adas de jor\u00adnais da \u00e9po\u00adca at\u00e9 fotos de Jo\u00e3o\u00adzi\u00adnho e uma cena do fil\u00adme Copa\u00adca\u00adba\u00adna, Mon Amour<\/em> (1970), de Rog\u00e9\u00adrio Sgan\u00adzer\u00adla, em que ele apa\u00adre\u00adce. E vemos o Jo\u00e3o\u00adzi\u00adnho inter\u00adpre\u00adta\u00addo por Bezer\u00adra nos mos\u00adtrar algu\u00admas pe\u00e7as das indu\u00admen\u00adt\u00e1\u00adri\u00adas dos san\u00adtos que ele cul\u00adtu\u00ada\u00adva, al\u00e9m de clo\u00adses de seu cor\u00adpo, como que numa ten\u00adta\u00adti\u00adva de apre\u00aden\u00add\u00ea-lo por completo.<\/p>\n

Infe\u00adliz\u00admen\u00adte, \u00e9 s\u00f3 isso que o cur\u00adta pare\u00adce ter a nos ofe\u00adre\u00adcer: bre\u00adves vis\u00adlum\u00adbres de quem Jo\u00e3o\u00adzi\u00adnho era. Ao final da pro\u00adje\u00ad\u00e7\u00e3o, fica\u00admos com a sen\u00adsa\u00ad\u00e7\u00e3o de que o conhe\u00adce\u00admos qua\u00adse tan\u00adto quan\u00adto antes. O resul\u00adta\u00addo \u00e9 de uma pobre\u00adza que n\u00e3o pre\u00adci\u00adsa\u00adva ser.<\/p>\n

Aos Peda\u00e7os <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"Aos
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

J\u00e1 aque\u00adles que acu\u00adsam os cha\u00adma\u00addos \u201cfil\u00admes de arte\u201d de serem pro\u00adpo\u00adsi\u00adtal\u00admen\u00adte con\u00adfu\u00adsos, pre\u00adten\u00adsi\u00ado\u00adsos ou pseu\u00addoin\u00adte\u00adlec\u00adtu\u00adais v\u00e3o encon\u00adtrar nes\u00adte Aos Peda\u00ad\u00e7os<\/em>, de Ruy Guer\u00adra, um repre\u00adsen\u00adtan\u00adte per\u00adfei\u00adto daqui\u00adlo que mais detestam.<\/p>\n

Para come\u00ad\u00e7ar, o lon\u00adga pare\u00adce uma obra fei\u00adta por estu\u00addan\u00adte rec\u00e9m gra\u00addu\u00ada\u00addo de cine\u00adma que se entre\u00adga a tudo quan\u00adto \u00e9 cli\u00adch\u00ea est\u00e9\u00adti\u00adco e nar\u00adra\u00adti\u00advo \u2014 como um chi\u00ada\u00adros\u00adcu\u00adro<\/em> pre\u00adto e bran\u00adco de alt\u00eds\u00adsi\u00admo con\u00adtras\u00adte que visa recri\u00adar o visu\u00adal de um fil\u00adme noir<\/em>, silhu\u00ade\u00adtas em con\u00adtra\u00adluz, a para\u00adnoia kaf\u00adki\u00ada\u00adna de um pro\u00adta\u00adgo\u00adnis\u00adta que n\u00e3o sabe por que est\u00e1 sen\u00addo per\u00adse\u00adgui\u00addo, uma nar\u00adra\u00ad\u00e7\u00e3o sole\u00adne e qua\u00adse lite\u00adr\u00e1\u00adria, duas mulhe\u00adres cujas iden\u00adti\u00adda\u00addes se con\u00adfun\u00addem no melhor esti\u00adlo de Cida\u00adde dos Sonhos<\/em> (2001), e por a\u00ed vai.<\/p>\n

Pior \u00e9 que todo esse \u00f3bvio esfor\u00ad\u00e7o est\u00e9\u00adti\u00adco e sim\u00adb\u00f3\u00adli\u00adco pare\u00adce n\u00e3o ser\u00advir para nada, j\u00e1 que o rotei\u00adro \u2014 escri\u00adto por Guer\u00adra e Luci\u00ada\u00adna Maz\u00adzot\u00adti \u2014 \u00e9 de uma estu\u00adpi\u00addez colos\u00adsal. O pro\u00adta\u00adgo\u00adnis\u00adta \u00e9 Euri\u00adco Cruz (Em\u00ed\u00adlio de Mel\u00adlo), que acor\u00adda vira\u00addo uma cer\u00adta manh\u00e3 e \u00e9 indu\u00adzi\u00addo por um mis\u00adte\u00adri\u00ado\u00adso bilhe\u00adte a acre\u00addi\u00adtar que uma de suas duas espo\u00adsas quer mat\u00e1-lo. A par\u00adtir da\u00ed, o fil\u00adme se entre\u00adga \u00e0 pior das autoin\u00addul\u00adg\u00ean\u00adci\u00adas ao nos for\u00ad\u00e7ar a acom\u00adpa\u00adnhar os apa\u00adren\u00adtes del\u00ed\u00adri\u00ados de um sujei\u00adto alc\u00f3o\u00adla\u00adtra e esqui\u00adzo\u00adfr\u00ea\u00adni\u00adco \u2014 e a \u201creve\u00adla\u00ad\u00e7\u00e3o\u201d final s\u00f3 vai sur\u00adpre\u00aden\u00adder algu\u00e9m que nun\u00adca tiver vis\u00adto um fil\u00adme na vida.<\/p>\n

Mais irri\u00adtan\u00adte \u00e9 o fato de este ser um per\u00adso\u00adna\u00adgem vazio e desin\u00adte\u00adres\u00adsan\u00adte que muda de pen\u00adsa\u00admen\u00adto como quem muda de rou\u00adpa, enquan\u00adto seu irm\u00e3o Hele\u00adno (Julio Adri\u00e3o) sur\u00adge como um pas\u00adtor evan\u00adg\u00e9\u00adli\u00adco que reci\u00adta ver\u00ads\u00ed\u00adcu\u00adlos da B\u00edblia que n\u00e3o fazem dife\u00adren\u00ad\u00e7a algu\u00adma para o con\u00adtex\u00adto \u2014 e pos\u00adso apos\u00adtar que o dire\u00adtor tinha Tom Waits na cabe\u00ad\u00e7a quan\u00addo con\u00adce\u00adbeu esse sujei\u00adto tocan\u00addo pia\u00adno e ves\u00adtin\u00addo pre\u00adto e cha\u00adp\u00e9u. Quan\u00adto \u00e0s espo\u00adsas de Euri\u00adco, suas per\u00adso\u00adna\u00adli\u00adda\u00addes pou\u00adco impor\u00adtam, j\u00e1 que elas pas\u00adsam o fil\u00adme intei\u00adro agin\u00addo de manei\u00adra ale\u00ada\u00adt\u00f3\u00adria e sol\u00adtan\u00addo fra\u00adses sem p\u00e9 nem cabe\u00e7a.<\/p>\n

Os di\u00e1\u00adlo\u00adgos, ali\u00e1s, s\u00e3o pra\u00adti\u00adca\u00admen\u00adte todos assim, como que sa\u00ed\u00addos dos sonhos deli\u00adran\u00adtes de um demen\u00adte (e mes\u00admo que seja essa a inten\u00ad\u00e7\u00e3o, h\u00e1 for\u00admas bem mais efi\u00adca\u00adzes de nos fazer divi\u00addir os pen\u00adsa\u00admen\u00adtos des\u00adco\u00adne\u00adxos de um psi\u00adc\u00f3\u00adti\u00adco do que o que vemos aqui), com direi\u00adto a falas sem sen\u00adti\u00addo e joga\u00addas ao ven\u00adto como \u201camo uma aus\u00ean\u00adcia que vive den\u00adtro de mim como um car\u00adra\u00adpa\u00adto<\/em>\u201d, ou \u201ctuba\u00adr\u00f5es tris\u00adtes s\u00e3o os mais peri\u00adgo\u00adsos<\/em>\u201d.<\/p>\n

Assim, ain\u00adda que haja um ou outro pla\u00adno ins\u00adpi\u00adra\u00addo (como um que pare\u00adce vis\u00adto atra\u00adv\u00e9s de um vidro fos\u00adco e que per\u00admi\u00adte que uma mulher se tor\u00adne a outra dian\u00adte de nos\u00adsos olhos), at\u00e9 mes\u00admo a inte\u00adres\u00adsan\u00adte repre\u00adsen\u00adta\u00ad\u00e7\u00e3o f\u00edsi\u00adca dos dem\u00f4\u00adni\u00ados inter\u00adnos do pro\u00adta\u00adgo\u00adnis\u00adta aca\u00adba soan\u00addo banal. E todo esse sim\u00adbo\u00adlis\u00admo de quin\u00adta cate\u00adgo\u00adria (ali\u00ada\u00addo a um tea\u00adtra\u00adlis\u00admo exa\u00adge\u00adra\u00addo) se tor\u00adna uma tor\u00adtu\u00adra at\u00e9 para os espec\u00adta\u00addo\u00adres mais pacientes.<\/p>\n

Matar a un Muerto <\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n
\"Matar
Divul\u00adga\u00ad\u00e7\u00e3o \/ Fes\u00adti\u00adval de Gramado<\/figcaption><\/figure>\n

O para\u00adguaio Matar a un Muer\u00adto<\/em>, de Hugo Gim\u00e9\u00adnez, se pas\u00adsa em 1978, duran\u00adte a dita\u00addu\u00adra de Alfre\u00addo Stro\u00ades\u00ads\u00adner no pa\u00eds e no ano da Copa do Mun\u00addo da Argen\u00adti\u00adna. Acom\u00adpa\u00adnha\u00admos dois homens, Pas\u00adtor (Ever Enci\u00adso) e Dio\u00adn\u00ed\u00adsio (An\u00ed\u00adbal Ortiz), que con\u00adver\u00adsam em um idi\u00ado\u00adma ind\u00ed\u00adge\u00adna e tra\u00adba\u00adlham enter\u00adran\u00addo cad\u00e1\u00adve\u00adres ili\u00adci\u00adta\u00admen\u00adte no meio da flo\u00adres\u00adta. Um dia, eles encon\u00adtram um homem que ain\u00adda est\u00e1 vivo e Dio\u00adn\u00ed\u00adsio deci\u00adde n\u00e3o o matar como deve\u00adria, o que d\u00e1 in\u00ed\u00adcio a uma cri\u00adse entre esses homens.<\/p>\n

Por mais que o rotei\u00adro (escri\u00adto pelo pr\u00f3\u00adprio Gim\u00e9\u00adnez) se esfor\u00adce em explo\u00adrar o con\u00adfli\u00adto psi\u00adco\u00adl\u00f3\u00adgi\u00adco de quem \u00e9 leva\u00addo por um regi\u00adme a tirar a vida de um ser huma\u00adno, o fil\u00adme care\u00adce ter\u00adri\u00advel\u00admen\u00adte de coe\u00ads\u00e3o, j\u00e1 que se vale de ele\u00admen\u00adtos que sur\u00adgem dis\u00adper\u00adsos e n\u00e3o se somam \u2014 como a pr\u00f3\u00adpria Copa do Mun\u00addo e a exis\u00adt\u00ean\u00adcia de um ani\u00admal sol\u00adto pela flo\u00adres\u00adta (cujo sim\u00adbo\u00adlis\u00admo, se h\u00e1 algum, me esca\u00adpa). Tam\u00adb\u00e9m, as moti\u00adva\u00ad\u00e7\u00f5es dos tr\u00eas per\u00adso\u00adna\u00adgens s\u00e3o rasas e mal explo\u00adra\u00addas, impe\u00addin\u00addo que com\u00adpre\u00aden\u00adda\u00admos por que agem como agem e que nos impor\u00adte\u00admos com o que quer que acon\u00adte\u00ad\u00e7a com eles.<\/p>\n

Como se n\u00e3o bas\u00adtas\u00adse, Gim\u00e9\u00adnez ain\u00adda ado\u00adta uma abor\u00adda\u00adgem visu\u00adal\u00admen\u00adte can\u00adsa\u00adti\u00adva, com pas\u00adsa\u00adgens lon\u00adgas e len\u00adtas em que pra\u00adti\u00adca\u00admen\u00adte nada acon\u00adte\u00adce \u2014 e mes\u00admo a cena em que um supe\u00adri\u00ador mili\u00adtar sur\u00adge na flo\u00adres\u00adta aca\u00adba soan\u00addo como ten\u00adta\u00adti\u00adva bara\u00adta de gerar ten\u00ads\u00e3o, falhan\u00addo mise\u00adra\u00advel\u00admen\u00adte. Pior \u00e9 notar que qual\u00adquer ten\u00adta\u00adti\u00adva de comen\u00adt\u00e1\u00adrio espe\u00adc\u00ed\u00adfi\u00adco sobre os hor\u00adro\u00adres da dita\u00addu\u00adra para\u00adguaia se per\u00adde no meio des\u00adse desas\u00adtre, vis\u00adto que, a rigor, o fil\u00adme pode\u00adria se pas\u00adsar em qual\u00adquer lugar ou \u00e9poca.<\/p>\n","protected":false},"excerpt":{"rendered":"

Quin\u00adto dia de cober\u00adtu\u00adra do 48o Fes\u00adti\u00adval de Cine\u00adma de Gra\u00adma\u00addo com cr\u00ed\u00adti\u00adcas de dois cur\u00adtas e dos lon\u00adgas Aos Peda\u00ad\u00e7os<\/i> e Matar a un Muer\u00adto<\/i>.<\/p>\n","protected":false},"author":1,"featured_media":319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[21],"tags":[22,23,24],"class_list":["post-308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cobertura","tag-22","tag-cobertura","tag-festival-de-gramado"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/comments?post=308"}],"version-history":[{"count":0,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/posts\/308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/media\/319"}],"wp:attachment":[{"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/media?parent=308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/categories?post=308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmotrope.com\/pt\/wp-json\/wp\/v2\/tags?post=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}